Frankie Lymon was born September 30, 1942 in Harlem, New York to a truck driver father and a domestic mother. Lymon's father, Howard Lymon, also sang in a gospel group known as the Harlemaires; Frankie Lymon and his brothers Louis and Howie sung with the Harlemaire Juniors (a forth Lymon brother, Timmy, was also a singer, but not with the Harlemaire Juniors). The Lymon family struggled to make ends meet, and Lymon began working as a grocery boy at age ten, augmenting his legitimate income with proceeds gained from hustling prositutes.

This clip is a rare off-air a 1958 kinescope of Frankie Lymon & The Teenagers
appearance on the Tommy & Jimmy Dorsey TV Show on CBS, the show that was widely
underestimated for bringing new rock and roll acts to television, including
Elvis Presley before Milton Berle and Ed Sullivan!

What is distressing about the music business in the 1950's is the fact that many artists were not paid the royalties due them. This is so with Frankie Lymon & The Teenagers. While they did get pittances for stage appearances, Frankie and the members of the group never saw a penny from record sales, juke box or radio plays, nor publishing shares.

Dave Watts, manager and backup singer for The Ad Libs, told us here at OTV that neither the group or the songwriter received any monies from their #1 1962 hit The Boy From New York City on Blue Cat Records, a subsidiary of Leiber & Stoller's Red Bird Records. When the master was sold to Shelby Singleton (producer of Harper Valley PTA and owner of several oldies record labels), nary a pence was seen by the group despite the fact the song was re-release on countless compilation albums and later, CDs by Collectibles.

Similarly, The Spaniels got for naught from record sales of their classic hit Sincerely, nor did The Moonglows for their version. (Surely The Mc Guire Sisters got paid from Columbia for their "white pop" cover version). Adding insult to injury, Alan Freed added his name as writer, to collect radio play royalties and obviously as an inducement to play the record.

A radio program director named Rick Sklar would change all that. He was in charge of the playlist at powerhouse Musicradio77 WABC 770 AM in New York. Sklar rebuked payola, never accepted any tokens for programming a new release (when an acquaintance record producer of this writer records offered, he was escorted out of Sklar's office by security guards). Sklar brought the matter of artists, mostly black and from ghetto area, being gypped by record labels and producers. he brought the matter to the attention of some heavyweights in the business, Leonard Mietus, legalcounsel for BMI for one, as well as trade publications such as Cash Box. Contract writer Charles Passantino was busy spurning out new legal forms for record companies, music publishers, agents and managers (Passantino rendered the much referred to "778" artist management contract. The statuatiory minimums in the 60's, 10% of 90% of record sales, were made so as were ASCAP, BMI and SESAC writer's royalties.

Frankie Lymon & The Teenagers At the age of twelve, Lymon joined a local doo-wop group known as The Teenagers. The Teenagers had their origins in The Earth Angels, a group founded at Edward W. Stitt Junior High School in the Washington Heights section of Manhattan by second tenor Jimmy Merchant and bass Sherman Gaines. Eventually, Gaines and Merchant had added lead singer Herman Santiago and baritone Joe Negroni to their lineup and evolved into The Coupe De Villes. Twelve-year-old Frankie Lymon heard the Coupe De Villes at a school talent show, and, befriending Santiago, eventually became a member of the group, now calling itself both The Ermines and The Premiers. "Why Do Fools Fall in Love": fame and success One day in 1955, a neighbor gave The Premiers several love letters that had been written to him by his girlfriend, with the hopes that he could give the boys inspiration to write their own songs. Merchant and Santiago adapted one of the letters into a song called "Why Do Birds Sing So Gay?" With Lymon's input, the song became "Why Do Fools Fall in Love". The Premiers, now calling themselves The Teenagers, got their first shot at fame after impressing Richard Barrett, a singer with The Valentines. Barrett in turn got the group an audition with record producer George Goldner. However, on the day of the group's audition, Santiago was sick, and Lymon led the Teenagers through "Why Do Fools Fall in Love". Goldner signed the quintet to Gee Records, and "Why Do Fools Fall in Love" became their first single in January 1956. The single peaked at number-three on the Billboard pop singles chart, and at number-one on the Billboard R&B singles chart. Several other R&B top ten singles followed over the next year, among them "I Want You To Be My Girl", "I Promise To Remember", "Who Can Explain?", "Out in the Cold Again", and "The ABC's of Love", although no other Teenagers single entered the pop chart. "I Am Not A Juvenile Delinquent" and "Baby Baby" were also popular Teenagers releases. With the release of "I Want You to Be My Girl", the group's second single, The Teenagers became Frankie Lymon & the Teenagers. A long-playing album, The Teenagers Featuring Frankie Lymon, was issued in December 1956. The group's success made Frankie Lymon the first black teen idol. In March 1956, the Teenagers began appearing with pioneering rock and roll DJ Alan Freed's rock-and-roll revues, performing alongside acts such as Little Richard, The Platters, and Bill Haley and His Comets. The group also appeared in two of Freed's early rock and roll films, Rock, Rock, Rock (1956) and Mister Rock and Roll (1957), and performed on Freed's radio and television programs. While touring with the Platters, Lymon befriended that group's sole female singer, Zola Taylor, whom he later began a romantic relationship with.

In early 1957, Lymon and the Teenagers split apart while on a tour of Europe. During an engagement at the London Palladium, Goldner began pushing Lymon as a solo act, giving him solo spots in the show. Lymon began performing with backing from pre-recorded tapes. The group's latest singles, "Out In The Cold Again" and "Goody Goody", retained the Frankie Lymon & the Teenagers credit, but were actually solo recordings (with backing on "Goody, Goody" and its b-side by session singers). Lymon had officially departed from the group by September 1957; an in-progress studio album called Frankie Lymon and the Teenagers at the London Pallladium was instead issued as a Lymon solo release. As a solo artist, Lymon was not a success. Beginning with his first solo release, "My Girl", Lymon was moved to Roulette Records. On a July 19, 1957 episode of Freed's live ABC TV show The Big Beat, Lymon began dancing with a white teenage girl while performing. His actions caused a scandal, particularly among Southern TV station owners, and The Big Beat was subsequently canceled. Lymon's slowly tapering sales fell sharply after his voice changed and he lost his signature soprano voice. Adopting a falsetto, Lymon carried on. His highest charting solo hit was a cover of Thurston Harris' "Little Bitty Pretty One", which peaked at number 58 on the R&B charts in 1960. Having been addicted to heroin since age 16, Lymon fell further into his habit, and his performing career went into decline. In 1961, Roulette, now run by Morris Levy, ended their contract with Lymon and the singer entered a drug rehabilitation program. After losing Lymon, the Teenagers went through a string of replacement singers, the first of whom was Lymon's immediate successor Billy Lobrano. By 1959, Howard Kenny Bobo was the lead singer of the Teenagers; a year later, Johnny Houston was on lead. The Teenagers, who had been moved by Morris Levy onto End Records, were released from their contract in 1961. The Teenagers briefly reunited with Lymon in 1965, without success.

Over the next four years, Lymon struggled through short-lived deals with 20th Century Fox Records and Columbia Records. Lymon began a relationship with Elizabeth Waters, who became his first wife in January 1964. Lymon's marriage failed, and he moved to Los Angeles in the mid-1960s, where he began a romantic relationship with Zola Taylor. He appeared at the Apollo as part of a revue, adding an extended tap dance number. His final television performance was on Hollywood a Go-Go in 1965, where the then twenty-two year old singer lip-synched to the recording of his thirteen-year-old self singing "Why Do Fools Fall in Love". Taylor claimed to have married Lymon in Mexico in 1965, although their relationship ended several months later because of Lymon's drug habits. The same year, Lymon was drafted into the United States Army, and stationed at Fort Gordon, Georgia near Augusta, Georgia for training. While in the Augusta area, Lymon met and fell in love with Elmira Eagle, a schoolteacher at Hornsby Elementary in Augusta. The two were wed in June 1967, and Lymon repeatedly went AWOL to secure club dates at small Southern clubs. Dishonorably discharged from the Army, Lymon moved into his wife's Augusta home and continued to perform sporadically. Traveling to New York in 1968, manager Sam Bray signed Lymon to his Big Apple label, and the singer returned to recording. Roulette expressed interest in releasing Lymon's records in conjunction with Big Apple and scheduled a recording session for February 28. Lymon, staying at his grandmother's house in Harlem where he had grown up, celebrated his good fortune by taking heroin -- he had remained clean ever since entering the Army three years prior. On February 27, 1968, Lymon was found dead from a heroin overdose. He was twenty-five years old. He was buried at Saint Raymond's Cemetery in the Throggs Neck section of The Bronx in New York. "I'm Sorry" and "Seabreeze", the two sides Lymon had recorded for Big Apple before his death, were released later in the year. By 1973, the Teenagers had resorted to using a female singer to imitate Lymon's prepubescent voice; the last of their lead singers was Pearl McKinnon. The Teenagers disbanded in 1973. Sherman Garnes died of a heart attack in 1977, while Joe Negroni passed away a year later due to a cerebral hemorrhage. Santiago and Merchant have carried on since, touring at various times with three other performers as The Teenagers.

Lymon's troubles did not end with his death. After R&B singer Diana Ross returned "Why Do Fools Fall in Love" to the Top Ten in 1981, a major controversy concerning Lymon's estate ensued. Zola Taylor, Elizabeth Waters, and Elmira Eagle each approached Morris Levy, who retained possession of Lymon's copyrights and his royalties, claiming to be Lymon's rightful widow - Lymon had neglected to divorce both Taylor and Waters. The complex issue resulted in lawsuits and counter-lawsuits, and in 1986, the first of several court cases concerning the ownership of Lymon's estate began. Trying to determine who was indeed the lawful Mrs. Frankie Lymon was complicated by more issues. Waters was already married when she married Lymon; she had separated from her first husband, but their divorce was finalized in 1965, after she had married Lymon. Taylor claimed to have married Lymon in Mexico in 1965, but could produce no acceptable evidence of their union. Lymon's marriage to Eagle, on the other hand, was properly documented as having taken place at the Beulah Grove Baptist Church in Augusta, Georgia in 1967; however, the singer was still apparently twice-married and never divorced when he married Eagle. The first decision was made in Waters' favor; Eagle appealed, and in 1990, the New York State Supreme Court reversed the original decision and awarded Eagle Lymon's estate. However, the details of the case brought about another issue: whether Morris Levy was deserving of the co-credit on "Why Do Fools Fall in Love". Although early vinyl single releases of "Why Do Fools Fall in Love" credit Frankie Lymon, Herman Santiago, and Jimmy Merchant as co-writers of the song, later releases and cover versions were attributed to Lymon and George Goldner. When Goldner sold his music companies to Morris Levy in 1959, Levy's name began appearing as co-writer of "Why Do Fools Fall in Love" in place of Goldner's. Lymon was never paid his songwriters' royalties during his lifetime; one result of Elmira Eagle's legal victory was that Lymon's estate would finally begin receiving monetary compensation from his hit song's success. In 1987, Herman Santiago and Jimmy Merchant, both then poor, sued Morris Levy for their songwriters' credits. In December 1992, the United States federal courts ruled that Santiago and Merchant were co-authors of "Why Do Fools Fall in Love". However, in 1996 the ruling was reversed by the Court of Appeals for the 2nd Circuit on the basis of the statute of limitations: copyright cases must be brought before a court within three years of the alleged civil violation, and Merchant and Santiago's lawsuit was not filed until 30 years later. Authorship of "Why Do Fools Fall in Love" currently remains in the names of Frankie Lymon and Morris Levy.

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